Edmund Campion Berkeley, California
Edmund Campion (b. 1957) is Professor of Music Composition and Director at the Center for New Music and Audio Technologies (CNMAT) at the University of California, Berkeley.
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Raid on the White Tiger Regiment
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Sunik Kim pulls beauty and meaning out of dense yet accessible knots of textural noise and wordless chaos.
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Me and the Glassbirds
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The Doom Trip label never misses, and the latest LP from the genius Heejin Jang is a trip into thrilling industrial terror.
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Telepathic Music Vol. 1
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True to their “Twin Peaks”-inspired name, Evolution of the Arm make avant-garde music that’s irresistibly creepy.
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All sounds on this album come from a recording of a guitar being scratched with a broken violin bow, digitally sculpted into stunning songs.
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Endgame Of The Anthropocene (ESP-Disk' 9/22/17)
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While a dire fantasia—a nightmare future Earth where only Antarctica remains habitable—looms over these eight instrumentals, Talibam!’s impulse is to throw a spiked Slurpee party at the end of the world.
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Return the Tides: Ascension Suite and Holy Ghost
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Mazurek's latest outing is a chaotic, powerful and emotional tribute to his mother, who suddenly passed earlier this year.
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Riveting modular synth music built from repeating and non-repeating patterns, “In Succession” is a beautiful, kaleidoscopic work.
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